Katie Steedly’s first-person piece [The Unspeakable Gift] is a riveting retelling of her participation in a National Institutes of Health study that aided her quest to come to grips with her life of living with a rare genetic disorder. Her writing is superb.
In recognition of receiving the Dateline Award for the Washingtonian Magazine essay, The Unspeakable Gift.
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He Sends Me Blue Mountains
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in the painting we are running somewhere towards a hole where all the/ people we need to forgive sleep, burrowed below their grim winter/ grasses, fury they are — // eger to pet them, sorry, we say, we’re late in our forgiving. Come out, come out, we promise our version of the witch is friendly.
Claressinka Anderson
What does it mean to be late in our forgiving? Are we late if we don’t forgive immediately and have to think about it for a little while? If real and true forgiveness happens over time, how can it ever be late? It seems to me blue mountains denote a kind of rolling forgiveness that looks like forgetting — forgiveness when a fog rolls in that might smell like smoke and ash.
I want the kind of forgiveness that is right on time. I want to forgive in a way that brings me to tears and makes me think of years gained not drinking the poison. Years of washed away regret that never has to happen. My blue mountain forgiveness will roll in a different way. It will roll like falling apart and back together. My blue mountain forgiveness looks like forgetting, too, and smells like magnolia and rain.
About Katie
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From Louisville. Live in Atlanta. Curious by nature. Researcher by education. Writer by practice. Grateful heart by desire.
Buy the Book!
The Stage Is On Fire, a memoir about hope and change, reasons for voyaging, and dreams burning down can be purchased on Amazon.