Katie Steedly’s first-person piece [The Unspeakable Gift] is a riveting retelling of her participation in a National Institutes of Health study that aided her quest to come to grips with her life of living with a rare genetic disorder. Her writing is superb.
In recognition of receiving the Dateline Award for the Washingtonian Magazine essay, The Unspeakable Gift.
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Ode to the Clothesline

Not so much the missing of things/ but the nostalgia of colors, their music,/ the ordinary revelation of a family life/ caught in the flop and dance, a jig
Kwame Dawes
I have never had a clothesline. The idea that a clothesline might be the revelation of family life caught in the flop and dance, a jig makes me smile. The idea that a clothesline might also be the place where once dirty laundry can be aired might also be true. It all can be true.
I don’t know how I feel about clotheslines.
The clotheslines in my life felt like the bearing of fruit. The clotheslines in my life felt like belonging and community. The clotheslines in my life felt like milestones and traditions.
The clotheslines in my life felt somehow simultaneously joyous and petrifying.
The clotheslines in my life felt like everybody knowing everybody’s business. The clotheslines in my life felt like secrets being told. The clotheslines in my life felt like scabs being torn off.
Clotheslines forgive in the way that air breathes life. Clotheslines comfort in the way that sunshine warms. Clotheslines heal in the way that air breathes life.
About Katie

From Louisville. Live in Atlanta. Curious by nature. Researcher by education. Writer by practice. Grateful heart by desire.
Buy the Book!
The Stage Is On Fire, a memoir about hope and change, reasons for voyaging, and dreams burning down can be purchased on Amazon.